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The Casebook of Victor Frankenstein
by 
Peter Ackroyd
John Lee
  
Publisher: Books on Tape
Subject(s):  Fiction
Literature

Format Information

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Available copies:   0 (1 patron(s) on waiting list)
Library copies:   1
File size:   129858 KB
ISBN:   9780307702272
Release date:   Oct 06, 2009

Description

A surprising portrait of Peter Paul Rubens' double life as a secret agent who negotiated a peace between superpowers.

When two nineteenth-century Oxford students—Victor Frankenstein, a serious researcher, and the poet Percy Bysshe Shelley—form an unlikely friendship, the result is a tour de force that could only come from one of the world's most accomplished and prolific authors.

This haunting and atmospheric novel opens with a heated discussion, as Shelley challenges the conventionally religious Frankenstein to consider his atheistic notions of creation and life. Afterward, these concepts become an obsession for the young scientist. As Victor begins conducting anatomical experiments to reanimate the dead, he at first uses corpses supplied by the coroner. But these specimens prove imperfect for Victor's purposes. Moving his makeshift laboratory to a deserted pottery factory in Limehouse, he makes contact with the Doomsday men—the resurrectionists—whose grisly methods put Frankenstein in great danger as he works feverishly to bring life to the terrifying creature that will bear his name for eternity.

Filled with literary lights of the day such as Bysshe Shelley, Godwin, Lord Byron, and Mary Shelley herself, and penned in period-perfect prose, The Casebook of Victor Frankenstein is sure to become a classic of the twenty-first century.


From the Hardcover edition.

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Excerpts

From the book

...

One
I was born in the alpine region of Switzerland, my father owning much territory between Geneva and the village of Chamonix where my family resided. My earliest memories are of those glistening peaks, and I believe that my spirit of daring and ambition was bred directly from the vision of altitudes. I felt the power and grandeur of nature there. The ravines and the precipices, the smoking waterfalls and the raging torrents, had always the effect of sanctifying my life until one white and shining morning I felt compelled to cry out to the Maker of the Universe, "God of the mountains and the glaciers, preserve me! I see, and feel, the solitude of your spirit among the ice and snow!" As if in response to my voice I heard the cracking of the ice and thunder of an avalanche, on a distant peak, louder than the bells of the cathedral St. Pierre in the narrow streets of old Geneva.
I exulted in storms. Nothing entranced me more than the roaring of the wind among the upright masses of rock, the crags and caverns of my native region; when the wind swept away the smoking mists, the woods of pine and oak were filled with its music. The clouds there seemed to haunt the upper air, wishing to touch the source of such beauty. In these moments my individual nature ebbed away. I felt as if I were dissolved into the surrounding universe, or as if that universe were absorbed into my being. Like the infant in the womb I was conscious of no distinction. It is the state that the poets wish to achieve, when all the manifestations of the world become "blossoms upon one tree." Yet I had been blessed by the poetry of nature itself.
So in my earliest years my soul overflowed with ardent affections, and my wild and enthusiastic imagination was chastened only by my inclination towards study and mental industry. How I loved to learn! I imbibed knowledge as a sapling takes in water, never ceasing to grow upwards. The worst of my faults even then was ambition. I wished to know everything about the world and the great universe. Why was I born if not to learn? I dreamed of distant stars. In my imagination (and even then I believe that I understood the true meaning of that word) I saw beneath the crust the glowing core which caused the mountains all around me. I, Victor Frankenstein, would solve its mysteries! I would examine the beetle and the butterfly in my earnest wish to learn the secrets of nature. Desire and delight--as those secrets were unfolded to me--are among the earliest sensations I can remember. My father purchased for me a microscope through which I observed with indescribable interest the hidden existence of the world. Who does not wish to study the unseen and the unknown? The force instilled within the most minute organisms, making them move and meet, filled me with wonder.


  • After my schooling in Geneva, on the Calvinist pattern of industrious and patient study, my father sent me to the renowned university of Ingolstadt where I began my first enquiries into natural philosophy. Even then, I believe, I knew that I would carve my passage to greatness. Yet I had always wished to visit England, where the latest experiments in natural science were being performed by galvanists and biologists. It was a place of practical learning. My father did not believe that country to be favourable to the education of my morals, however, but after many earnest entreaties and urgent letters from Ingolstadt he finally relented. He gave me permission to enter the university of Oxford, in my eighteenth year, after many warnings on the laxity of English youth. I promised him that neither my virtue nor my character would be tainted in any respect. I spoke too soon.
    It was at Oxford...
  •  

    Reviews

    Publishers Weekly, starred review...

    "A brilliant riff on ideas that have informed literary, horror and science fiction for nearly two centuries.... Ackroyd laces his narrative intelligently with the Romantic ideals of Lord Byron and Percy Shelley, and deftly interweaves Victor's fictional travails with events of the well-known 1816 meeting between the poets that inspired Mary to draft her landmark story."

     
    The Independent...
    "Leave it to this most distinguished living biographer of British poets to fabricate such a delectable conflation of history and imaginative literature.... However inured you may think you are to the shocks of horror fiction, Ackroyd will violate your defenses with his diabolical intelligence and his uncanny empathy for both real-life and imaginary characters."
    --Bookpage
    "Ackroyd takes Mary Shelley's hint of the doppelganger, and plays with it fascinatingly in a fast-paced thriller.... The novel leaps to its climax nimbly as a pursuing fiend, and ends suitably in fiery revelation."
     
    Daily Telegraph...
    "A brilliant jeu d'esprit. Above all, it stands as a tribute to the power of the human imagination."
     
    The Times...
    "It takes a writer of considerable confidence, wit and skill to attempt a modern retelling of a bona fide English classic...[Ackroyd] is the man for the job.... terrifying and fascinating in equal measure.... An intelligent, creepily beautiful and haunted thing."
     
    Daily Express...
    "Thrilling concoction....Ackroyd's telling of the tale is a worthy revival--I found his book so creepy I kept the bedroom light on all night."
     
    Scotland on Sunday...
    "Read [Ackroyd's] fictions at your peril for what you meet are driven obsessions, deceptions and plots of a stylish complexity, mingling wit and high intelligence...a brilliant, impressionistic piece of literary art, and Ackroyd's forte."
     
    Evening Standard...
    "Ackroyd's new novel works on so many levels it's difficult to know where to begin. As a pacy thriller, it delivers assured edge of the seat action. As historical fiction, it abounds in authentic detail...as homage to Mary Shelley's Frankenstein it brings both invention and wit...a worthy shadow to Mary Shelley's creation, roaming with impish disruption between the pages of history, biography and literature."
     
    Spectator...
    "Ackroyd's novel is, like its famous predecessor, immensely readable. It crackles with that peculiar mixture of ebullience and self-loathing that galvanises Ackroyd's resurrection of the past. His ear for Romantic language is almost pitch-perfect."
     

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